lace_crater 7


With its deadpan treatment of the supernatural (ghosts are depicted as otherwise normal-looking folks with pale, sensitive skin who wear potato sacks to avoid the sun), Harrison Atkins’ Lace Crater at times resembles a Saturday Night Live parody of mumblecore sensibilities. And to be fair, the film dabbles in a particular degree of self-awareness the script pulls off some light jabs at the type of movie it initially establishes itself as before spinning off into something else entirely.

being-good-poster 6.5

Japan Cuts 2016: BEING GOOD Review

Seemingly taking place in what must be the most emotionally damaged neighborhood in at least a hundred miles of its setting, Mipo Oh’s Being Good is a multi-character study that takes an ensemble-style, “everything is connected” approach. This kind of story can go one way or the other – on one hand, this can set up massive third-act payoffs and large, rippling messages, but on the other, cohesion and story development can often be stunted in the process.