VIFF 2019: MS SLAVIC 7 Review
Sofia Bohdanowicz & Deragh Campbell's docufiction MS SLAVIC 7 looks at inheriting a sense of disconnect.
Sofia Bohdanowicz & Deragh Campbell's docufiction MS SLAVIC 7 looks at inheriting a sense of disconnect.
With THE TWENTIETH CENTURY, Matthew Rankin presents a historical perversion full of absurdity and creativity.
Deragh Campbell captivates in Kazik Radwanski's dizzying drama, ANNE AT 13,000 FT
Heather Young's MURMUR is a compassionate portrait, full of warmth, of a woman struggling with addiction with the help of an elderly dog.
Chained For Life encompasses a number of big ideas into a relatively small film production.
With the overabundant DIY nature of the project, Chiu and friends have illustrated the power of art as community.
The main point of interest in Long Lost cannot be talked about, but the meandering journey to the film's destination makes it well worth it.
Jessica Oreck constructs an aggregation of time in which she positions the sufferers of the Siege of Leningrad as people instead of statistics.
A fairly routine relationship drama adorned with existential ponderings that has plenty of creativity but runs a little low on emotion.
Nothing is expounded upon, just introduced (sometimes in a shocking manner) and resigned to a sedentary existence amongst other ideas launched and ignored.
In Caleb Johnson's JOY KEVIN, Tallie Medel maximizes the film's scant runtime to deliver a powerhouse performance.
Babis Makridis & Efthymis Filippou’s latest black comedy is a shocking critique of the wealthy’s unending appetite for all things, even the unappealing.
Time for the second half of my Top 50 of 2018. Time to put an end to the longest year on record. If you missed the first half of this list (#50 – #26), it can be found here:
Before I dive into my yearly list of the top 50 films that I recommend I would like to list some of the films that I was unable to watch, for one reason or another. Either they never came my way or
Just yesterday, I posted my favorite male performances from the past year and now it is time for my favorite female performances from 2018. And just like with the list yesterday there are listed in no particular order. If anyone is
It’s that time of year again. Where I compile all of my favorite performances from the past year and, here, I am going to start with the male performances that affected me most. These range from dramatic turns to the comedic to