The Toronto International Film Festival is gearing up to kick off September 7th, and today the lineup for their Platform program has been announced. Some highlights from this section of the festival include Mike White‘s upcoming dramatic comedy Brad’s Status, Xavier Legrand‘s Custody,
With the Toronto International Film Festival just around the corner, three new program lineups have been announced today- Midnight Madness, Tiff Docs, and International Short Cuts.
Tiff announced today that the opening film of this year’s Toronto International Film Festival will be Janus Metz‘s Borg/McEnroe, which tells the story of the famous rivalry between tennis legends Björn Borg and John McEnroe. The film stars Sverrir Gudnason and Shia LaBeouf as the
The Film Society of Lincoln Center announced today that Woody Allen‘s upcoming Wonder Wheel will close the 55th New York Film Festival, taking place from September 28 – October 15. The film takes place in Coney Island in the ’50s and
The galas and special presentations sections of this year’s Toronto International Film Festival have been announced, and it should come to no surprise that this is an absolutely stacked list including films from Darren Aronofsky (mother!), David Gordon Green (Stronger), Alexander Payne
A new poster has been revealed for Hélène Cattet and Bruno Forzani‘s (Amer, The Strange Color of Your Body’s Tears) latest, Let The Corpses Tan (Laissez Bronzer Les Cadavres) ahead of its world premiere at this year’s Locarno Film Festival on August 4th.
This year’s New York Asian Film Festival has officially wrapped, and with the the award winners have been announced. Nattawut Poonpiriya’s Bad Genius won the Best Feature Award with honorable mentions going to Yoshiyuki Kishi‘s A Double Life and Le Binh Giang‘s Kfc. Naoko
Methodical in its formal approach and more twisted than the salacious details of the crimes it combs over, Kei Ishikawa's Traces of Sin probes ingenuously into the various connecting threads of a murder case, not for the sake of pointing fingers, but more for a want of a full picture.
The concern over the utter aimlessness and disaffection of Japan's youth has proven to be a topic of abundance for the country's transgressive cinema. Whether we are talking the carefree Sun Tribe films of 1950s, the politically charged student activist films of ’60s and ’70s, or the nihilistic films that followed the burst of the economic bubble in the late ’80s, the nation's cinema was always worried about its future working force maturing in the wrong ways.
Aside from its goofy title and uniquely strange villain, Alan Lo’s Zombiology: Enjoy Yourself Tonight plays out like numerous other zombie comedies that we’ve seen over the last decade or so, making for a slightly enjoyable, yet familiar, experience despite some of the ideas on display.
Combining tropes from classic Hong Kong vampire comedies of decades past with more contemporary vampire tales, Sin-Hang Chiu and Pak-Wing Yan’s Vampire Cleanup Department is a fun concept but lacks any real lasting power, falling short of laughs and plot.
Mixing animation with live-action photography is a consistently compelling tactic in contemporary filmmaking. Whether it’s in comedies like Who Framed Roger Rabbit and Space Jam or in action films like Kill Bill Vol. 1, the additional work required to mix the two modes demands an artistic intention that makes the animation mean something more than what could be done with either mode on its own.
Derek Tsang's Soul Mate is an interesting, if never fully compelling, romantic drama about the love and friendship shared by Ansheng (Zhou Dongyu) and Qiyue (Sandra Ma), two Chinese women who meet at age 13 and grow up, apart and back together.
Maybe it’s nothing more than a nod to Noboru Tanaka’s 1972 film, The Night of the Felines. Perhaps, something was lost in translation or there is a cultural disconnect but as it stands to me now, in the present, Dawn of the Felines contains an absolute dearth of redeeming qualities.