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Tribeca 2021: ALL THE STREETS ARE SILENT Review

It was just a few short days ago that I was writing about the ’90s NYC skateboard scene in my review of The Kids, which takes a look at the individuals involved with Larry Clark’s seminal 1995 film, and now I’m back

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Tribeca 2021: Award Winners Announced

As this year’s Tribeca Film Festival rolls on, the award winners have officially been announced. Lauren Hadaway‘s The Novice took home the Best U.S. Narrative Feature Film and Jessica Kingdon‘s Ascension picked up Best Documentary.

The 2021 Tribeca Film Festival continues through

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Tribeca 2021: THE KIDS Review

I can’t remember exactly how old I was when I first saw Larry Clark’s film Kids, an unflinching look at urban youth in the ’90s, but I can say for certain that I was way too young. Released in the summer of

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Fantasia 2021: First Wave of Titles Announced

Montreal’s Fantasia Festival is gearing up for its 2021 edition, coming to us virtually like last year, but don’t think for a second that will result in a lack of quality entries.

The first wave of features has been announced for

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SXSW 2021: GAIA Review

With climate change becoming a more important issue on a daily basis and the world in the grips of a horrific pandemic, it seems more appropriate than ever to see the production of more eco-horror films — movies that typically feature Mother

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SXSW 2021: THE SPINE OF NIGHT Review

The Spine of Night is the type of film that proudly wears its obvious inspirations on its sleeve and plays out like a pastiche for an audience that is very much in the know for what it is going for. Philip Gelatt

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SXSW 2021: ALONE TOGETHER Review

No matter who you are or where you happen to live, the pandemic has profoundly affected us all in a myriad of ways, not the least of which is us being forced to isolate from one another, exacerbating people’s feelings of loneliness

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SXSW 2021: HERE BEFORE Review

If anything, the taut psychological thriller Here Before serves as yet another feather in the cap of Andrea Riseborough and her ability to elevate most anything with her presence alone. Playing a grieving mother teetering on the precipice of madness when her

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SXSW 2021: WITCH HUNT Review

Playing out like Part 1 of an ill-conceived YA series, Elle Callahan’s Witch Hunt hooks you in with its interesting premise but fails to deliver anything of substance. We’ve all seen stories like this multiple times over, from HBO’s True Blood to

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SXSW 2021: PAUL DOOD’S DEADLY LUNCH BREAK Review

Nick Gillespie’s ultra-violent satire is like if Joel Schumacher’s controversial Falling Down was updated for the generation that was raised on British talent shows like X-Factor and Britain’s Got Talent. Centering on one eccentric idealist who is pushed over the proverbial edge

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SXSW 2021: FUCKING WITH NOBODY Review

The intimacy of the “influencer relationship” has always been suspect. How does one sift through the disingenuity of the online space to find any real affection when there are Instagram power couples who spend more time orchestrating their romantic selfies and composing