From its ominous, yet beautifully shot opening - a super-slow-motion tracking shot of girls playing on a playground - it’s quickly evident that we’re in for an intense experience with Ben Young’s feature debut, Hounds of Love.
While lacking in much substance, Like Me acts as a visually arresting social commentary, which is not about a hypothetical dystopian future but instead about a future we’re already living in that, for better or worse, is something we need to accept.
As the world of videogames and cinema inch closer together, from time to time I’ll play a game that I think is worth discussing on this site, and the recently released What Remains of Edith Finch happens to be one of them.
War is a nasty, dirty, ugly thing, and Simon Dixon’s directorial debut, Tiger Raid, conveys this hell on earth by telling the story of two despicable mercenaries on a mission to perpetrate a kidnapping in Iraq.
There’s a good movie living somewhere inside The Circle, but it’s been incessantly recut, switched around, shortened in the wrong places and extended in other wrong places, and then all mixed up and served in one perplexingly bland concoction.
With all-star performances from Zoey Deutch and Joey Morgan and a touching, funny, slightly disturbing (in a good way) script, Flower is one of the best indie comedies I’ve had the pleasure of seeing this year and one that should not be missed.