If you thought John Hillcoat’s post-apocalyptic drama The Road was a little too upbeat and light, then Stephen Fingleton’s feature debut, The Survivalist, will be right up your alley. In what could be the feel-bad movie of the year, Fingleton presents a gritty future, where the world’s oil supplies are depleted and the population has dwindled. We’ve seen this backdrop several times before but not in such an unflinching and graphically real way.
The 2017 Tribeca Film Festival is about to wrap up, and with that the jury awards for this years festival have been announced. Rachel Israel‘s Keep the Change was awarded Best Narrative Feature, Elvira Lind‘s Bobbi Jene won Best Documentary Feature, and Rachel Israel
Gunpowder & Sky released the official poster for the upcoming thriller Hounds of Love, marking the directorial debut of Ben Young. The film revolves around a young woman being abducted by a murderous couple in Perth, Australia in the 1980s.
The 2017 Tribeca Film Festival is quickly approaching and today, the closing night program and galas/special screenings were announced. A special 45th anniversary screening of The Godfather and The Godfather Part II will close the festival and be screened back to back
Ah, another film festival and another coming-of-age story set in a decaying rural community. Even as a fan of the coming-of-age tale, I was just about to wash my hands of movies like this, but then King Jack went and won me over with its strong visuals and a breakout performance from Charlie Plummer.
There are few people in this world who could be classified as true heroes – those who selflessly help others in need without asking for anything in return, many times at the detriment to their own wellbeing. Gennadiy Mokhnenko, the subject of director Steve Hooper’s latest documentary, Almost Holy (formerly titled Crocodile Gennadiy), seems to handily fit that bill. Spanning over a decade, the film looks at Mokhnenko’s work as a pastor and the founder of the Pilgrim Republic rehabilitation center, protecting the youth of Ukraine from addiction and the streets.
From 2007 to 2012, the county of Bridgend, Wales, had 79 reported cases of individuals committing suicide, most of whom were teenagers who left no note and chose to hang themselves in the nearby forest. Director Jeppe Rønde, whose background is in documentary filmmaking, followed the teens living there for six years, compiling their stories for this film, titled Bridgend, a fictionalized version of a very real and very strange occurrence plaguing this county.
Scherzo Diabolico, the latest film from Adrián García Bogliano, is a twisted tale of revenge that continually subverts the viewer’s theories about where it’s going and how it’s going to end. It’s a tough film to watch and an even tougher one to write about, considering the unique narrative path it takes, but this proves to be Bogliano’s best film yet, featuring a completely insane conclusion that shocked even a horror nut like myself.
I feel like recently we’ve been entering somewhat of a renaissance in indie horror, with new and unique films popping up all over the place that defiantly rebel against the formulaic banality to which the genre so often falls victim. Michael Thelin’s feature debut, Emelie, is a film that fits the bill, delivering a tense, unnerving thriller that takes a fresh look at the babysitter horror story.
It’s an unfortunate thing, but some of you younger readers may only know The National Lampoon as that company that made a couple good movies a long time ago and a slew of straight-to-video garbage since then. In actuality however, The National Lampoon was one of the biggest comedy institutions of the late ’60s and ’70s and helped kickstart the careers of some of the biggest names in the world of humor.
I’ve always been a sucker for the creature feature; describe a movie as “giant killer (insert literally any noun in here),” and I’ll probably be excited to check it out – the campier the better. Such is the case with director Benni Diez’s feature debut, Stung, which involves giant killer wasps. It’s, gross, violent, silly and sometimes just plain stupid but in the best kind of way. Top it off with two completely ridiculously fun performances from Clifton Collins Jr. and Lance Henriksen, and you have yourself a bloody good time.
Director Andrew Nichol has always had a penchant for creating films that shine a light on issues happening within our current political climate. Be it the rapid advancement in genetics (Gattaca), our voyeuristic nature (The Truman Show) or the always hot-button issue of gun control (Lord of War). Even when the movies aren’t great, he always takes an interesting approach.
Have you ever wondered what it would be like if Terrence Malick directed a lo-fi zombie movie starring Arnold Schwarzenegger? Well, wonder no more because Henry Hobson’s debut, Maggie, infuses much more Malick than Romero in this unique, but flawed, take on the zombie apocalypse.
Rather than yet another survival story featuring hordes of undead, Maggie takes a more intimate, emotional approach, by focusing the story on Arnold Schwarzenegger’s character of Wade taking care of his daughter, Maggie, played by Abigail Breslin, as she slowly turns into an undead flesh-hungry creature.
This week with the 2015 Tribeca Film Festival wrapping up, Adam and Kevin discuss some highlights from this year's festival and talk about tons of movies including Tenured, Necktie Youth, Applesauce, and Virgin Mountain among others.