NYAFF 2018 is about to kick off June 29, and today Subway Cinema released a batch of new trailers celebrating three of their programs. NYAFF will run through July 15th at FSLC in New York.
Subway Cinema has released the trailer promoting this year’s New York Asian Film Festival, running from June 29 – July 15. The 17th year of the festival, dubbed “The Savage Seventeenth Year,” will feature four world premieres, three international premieres, 21 North American premieres,
The full lineup for the 17th New York Asian Film Festival has been announced, with 58 films from China, Hong Kong, Japan, Indonesia, Malaysia, the Philippines, South Korea, Taiwan, and Thailand.
This year’s New York Asian Film Festival has officially wrapped, and with the the award winners have been announced. Nattawut Poonpiriya’s Bad Genius won the Best Feature Award with honorable mentions going to Yoshiyuki Kishi‘s A Double Life and Le Binh Giang‘s Kfc. Naoko
Methodical in its formal approach and more twisted than the salacious details of the crimes it combs over, Kei Ishikawa's Traces of Sin probes ingenuously into the various connecting threads of a murder case, not for the sake of pointing fingers, but more for a want of a full picture.
The concern over the utter aimlessness and disaffection of Japan's youth has proven to be a topic of abundance for the country's transgressive cinema. Whether we are talking the carefree Sun Tribe films of 1950s, the politically charged student activist films of ’60s and ’70s, or the nihilistic films that followed the burst of the economic bubble in the late ’80s, the nation's cinema was always worried about its future working force maturing in the wrong ways.
Aside from its goofy title and uniquely strange villain, Alan Lo’s Zombiology: Enjoy Yourself Tonight plays out like numerous other zombie comedies that we’ve seen over the last decade or so, making for a slightly enjoyable, yet familiar, experience despite some of the ideas on display.
Combining tropes from classic Hong Kong vampire comedies of decades past with more contemporary vampire tales, Sin-Hang Chiu and Pak-Wing Yan’s Vampire Cleanup Department is a fun concept but lacks any real lasting power, falling short of laughs and plot.
Mixing animation with live-action photography is a consistently compelling tactic in contemporary filmmaking. Whether it’s in comedies like Who Framed Roger Rabbit and Space Jam or in action films like Kill Bill Vol. 1, the additional work required to mix the two modes demands an artistic intention that makes the animation mean something more than what could be done with either mode on its own.
Maybe it’s nothing more than a nod to Noboru Tanaka’s 1972 film, The Night of the Felines. Perhaps, something was lost in translation or there is a cultural disconnect but as it stands to me now, in the present, Dawn of the Felines contains an absolute dearth of redeeming qualities.
Kfc had me from the get-go. It opens with four separate and repetitive title cards adamantly announcing and insisting that this film bears no resemblance to past events or people. And you can understand why writer/director Le Binh Giang had to do this, as the script kept him from graduating film school due to it being deemed too violent by the Vietnamese Council of Examiners.
In his fourth feature (and first contemporary-set film), fireman-turned-director Yang Shupeng takes us down a winding path of cat-and-mouse intrigue with Blood of Youth. Full of surprise revelations, twists, turns and shocking moments, the film aims to keep viewers on the edges of their seats in this high-stakes crime thriller about a hacker playing a dangerous game with both the police and a criminal organization.