Categories: FestivalsNews

2014 Los Angeles Film Festival Announces Full Lineup

The full lineup for the 2014 Los Angeles Film Festival has been announced today, with highlights including the premiere of Clint Eastwood‘s Jersey Boys as the closing night film, as well as the previously announced US premiere of Snowpiercer as the opening night film.

The festival will be running from June 11th to 19th, stay tuned for more coverage and hit the break to check out the full list of this year’s entries.

 

The Gala Screenings at the 2014 Festival include Ira Sachs’ Love Is Strange, which stars John Lithgow and Alfred Molina as longtime companions who finally get to marry, only to be separated when they’re forced out of their New York apartment in Sach’s ode to love, family ties and big city life. Also part of the Gala Screenings is Justin Simien’s Dear White People starring Tyler James Williams, Tessa Thompson, Teyonah Parris, Brandon Bell. When a riot breaks out over a popular African-American-themed party thrown by a white fraternity, four black students at Winchester University are provoked to take divergent actions in Simien’s breakthrough satire. Also in the Gala section is screenwriter Hossein Amini’s directing debut, The Two Faces of January, a sleek thriller set in Greece and Istanbul in 1962. Viggo Mortensen, Kirsten Dunst and Oscar Isaac are three Americans abroad caught in a web of murder and deceit in this taught, stylish adaptation of a Patricia Highsmith thriller. Amini is the Oscar®-nominated screenwriter of works like Drive and The Wings of the Dove.

Narrative Competition (9)
: The Narrative Competition is comprised of films made by talented emerging filmmakers that compete for the Filmmaker Award. The winner is determined by a panel of jurors, and films in this section are also eligible for the Audience Award for Best Narrative Feature or Best International Feature.

  • 10 Minutes, Dir. Lee Yong-Seung, South Korea. North American Premiere.
  • Comet, Dir. Sam Esmail, USA. World Premiere.
  • Lake Los Angeles, Dir. Mike Ott, USA. World Premiere.
  • Man From Reno, Dir. Dave Boyle, USA. World Premiere.
  • Recommended By Enrique, Dir. Rania Attieh, Daniel Garcia, USA/Argentina/France. World Premiere.
  • Runoff, Dir. Kimberly Levin, USA. World Premiere.
  • Someone You Love, Dir. Pernille Fischer Christensen, Denmark. North American Premiere.
  • Uncertain Terms, Dir. Nathan Silver, USA. World Premiere.
  • The Young Kieslowski, Dir. Kerem Sanga, USA. World Premiere.

 

Documentary Competition (8): The Documentary Competition is comprised of films made by talented emerging documentary filmmakers that compete for the Documentary Award. The winner is determined by a panel of jurors, and films in this section are also eligible for the Audience Award for Best Documentary Feature or Best International Feature.

  • Billy Mize and the Bakersfield Sound, Dir. William J. Saunders, USA. World Premiere.
  • The Life and Mind of Mark DeFriest, Dir. Gabriel London, USA/Canada. US Premiere.
  • Meet the Patels, Dirs. Geeta V. Patel, Ravi V. Patel, USA/India. US Premiere.
  • My Name Is Salt, Dir. Farida Pacha, Switzerland/India. North American Premiere.
  • Out in the Night, Dir. blair dorosh-walther, USA. World Premiere.
  • Sound of Redemption: The Frank Morgan Story, Dir. N.C. Heikin, USA. World Premiere.
  • Stray Dog, Dir. Debra Granik, USA. World Premiere.
  • Walking Under Water, Dir. Eliza Kubarska, Poland/Germany/UK. US Premiere.

 

LA Muse (11) Programmed by Film Independent at LACMA curator Elvis Mitchell and artist/scholar Roya Rastegar, the LA Muse section is comprised of films made by talented emerging filmmakers that are set, shot or inspired by Los Angeles. Select films in this section are eligible for Audience Awards for Best LA Muse Feature, Best Narrative Feature, Best Documentary Feature or Best International Feature.

  • Dreams are Colder than Death, Dirs. Arthur Jafa, Kahlil Joseph, USA. World Premiere.
  • Eat With Me, Dir. David Au, USA. World Premiere.
  • Echo Park, Dir. Amanda Marsalis, USA. World Premiere.
  • The Ever After, Dir. Mark Webber, USA/Australia. World Premiere.
  • Holbrook/Twain: An American Odyssey, Dir. Scott Teems, USA. Sneak Peek.
  • Inner Demons, Dir. Seth Grossman, USA. World Premiere.
  • Los Ángeles, Dir. Damian John Harper, Mexico/Germany. International Premiere.
  • Nightingale, Dir. Elliott Lester, USA. World Premiere.
  • The Road Within, Dir. Gren Wells, USA. World Premiere.
  • Supremacy, Dir. Deon Taylor, USA. World Premiere.
  • Trouble Dolls, Dirs. Jess Weixler, Jennifer Prediger, USA. World Premiere

 

International Showcase (11): The International Showcase highlights innovative independent narrative and documentary features from outside of the United States. Films in this section are eligible for Audience Awards for Best International Feature, Best Narrative Feature or Best Documentary Feature. 

  • Club Sandwich, Dir. Fernando Eimbcke, Mexico.
  • The Great Museum, Dir. Johannes Holzhausen, Austria.
  • Han Gong-Ju, Dir. Lee Sujin, South Korea.
  • Joy of Man’s Desiring, Dir. Denis Coté, Canada. US Premiere.
  • The Kidnapping of Michel Houellebecq, Dir. Guillaume Nicloux, France.
  • The Liberator, Dir. Alberto Arvelo, Venezuela/Spain.
  • Natural Sciences, Dir. Matías Lucchesi, Argentina/France.
  • Of Horses and Men, Dir. Benedikt Erlingsson, Iceland/Germany.
  • Starred Up, Dir. David Mackenzie, Northern Ireland/UK.
  • Stream of Love, Dir. Àgnes Sòs, Hungary.
  • Violette, Dir. Martin Provost, France.

 

Summer Showcase (11): The Summer Showcase section offers an advanced look at this summer’s most talked about independent film releases and will include highlights from the festival circuit and premieres. Films in this section are eligible for Audience Awards for Best International Feature, Best Narrative Feature or Best Documentary Feature.

  • The Battered Bastards of Baseball, Dirs. Chapman Way, Maclain Way, USA.
  • Cut Bank, Dir. Matt Shakman, USA. World Premiere.
  • Evolution of a Criminal, Dir. Darius Clark Monroe, USA.
  • Frank, Dir. Lenny Abrahamson, Ireland/UK.
  • Harmontown, Dir. Neil Berkley, USA.
  • Jimi: All is By My Side, Dir. John Ridley, USA.
  • Land Ho!, Dirs. Martha Stephens, Aaron Katz, Iceland/USA.
  • Last Days in Vietnam, Dir. Rory Kennedy, USA.
  • The Last Time You Had Fun, Dir. Mo Perkins, USA. World Premiere.
  • The Overnighters, Dir. Jesse Moss, USA.
  • A Thousand Times Good Night, Dir. Erik Poppe, Ireland/Norway/Sweden.

 

Free Community Screenings (5): These films will be presented free to the public. New films in this section are eligible for Audience Awards for Best Narrative Feature or Best Documentary Feature.

  • Clueless, Dir. Amy Heckerling, USA  – Pre-Festival Screening
  • La Bamba (1987), Dir. Luis Valdez, USA. – Dance-A-Long at Union Station
  • Limited Partnership, Dir. Thomas G. Miller, USA.Project Involve Screening
  • I Am Big Bird: The Caroll Spinney Story, Dir. Dave LaMattina, Chad Walker, USA. – Grand Performances Screening
  • Sherlock Jr. (1924)/Cops (1922), Dir. Buster Keaton, USA.Grand Performances Screening

 

The Beyond (3): The Beyond offers films that dare to be different. Films in this section are eligible for Audience Awards for Best International Feature, Best Narrative Feature or Best Documentary Feature.

  • Giuseppe Makes a Movie, Dir. Adam Rifkin, USA. US Premiere.
  • Jossy’s, Dir. Yuichi Fukuda, Japan. International Premiere.
  • The Well, Dir. Tom Hammock, USA. World Premiere.

 

Retro (2):

  • Friday (1995), Dir. F. Gary Gray, USA. – Ice Cube in Conversation
  • Repo Man (1984), Dir. Alex Cox, USA. – 30th Anniversary Screening

 

The Film That Got Away: The Film That Got Away is an ongoing series of outstanding recent films that haven’t yet screened locally, curated by members of the Los Angeles Film Critics Association

  • Caterpillar (2010), Dir. Koji Wakamatsu, Japan

 

Short Films (40): Shorts are shown before features and as part of four short film programs. With their diverse and complex content, these films shine brilliantly. Most short films, domestic and international, will compete for prizes in Narrative, Documentary and Animation/Experimental categories. The winner is determined by a panel of jurors. An Audience Award for Best Short Film is also presented.

  • Shorts Program 1-4

 

Future Filmmakers Showcase: High School Shorts (29): These two programs of shorts are made by high school students from around the world, featuring work by the next generation of filmmakers.

  • Programs 1-2

 

Interactive (9) An international selection of video game playthroughs with commentary by the gamer, the Let’s Plays highlighted here exhibit a range of independent games (horror, interactive fiction, playable character quests, minimalistic platformer) as well as a variety of gamer/commenter approaches (instructional, humorous, multi-player).  Game developers and Let’s Play video creators will be in attendance for a Q&A.

  • Let’s Play 

 

Music Videos (51): The Music Video Showcase consists of three programs. I See Music: Exploring Beyoncé’s Visual Album is a simultaneous audio/visual experience, screening the non-linear short films that illustrate the songs on her most recent release, followed by an extended talk with the creators and directors of those videos, focusing on the artistry of the creation process and the tones and themes expressed throughout. Eclectic Mix 1 and 2 are visual mix tapes of this year’s best independent music videos with a few innovative major label artists thrown in for good measure.  Music videos will compete for an Audience Award. 

  • Eclectic Mix 1 – 2
  • I See Music: Exploring Beyoncé’s Visual Album

 

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