To invest in The Vast of Night is to wait, eagerly, for a twist and to decide not only what it means for the characters, but also what it means more broadly because maybe there’s a valuable lesson that will help us all if only we can find it.
From its thoroughly uninspired poster design – suspiciously similar to 13 Cloverfield Lane – to its predictable and formulaic plot, Vaughn Stein’s thriller, Inheritance, occasionally entertains but contains few shining or memorable moments.
The setup is intriguing enough: a wealthy fiance exec
The Criterion Collection has always had a close relationship with the work of Wes Anderson since first releasing his second feature film, Rushmore, as its 65th entry back in 2000. Since then, Criterion has been periodically adding all the director’s films to
The Wretched is a surprising delight, which doesn’t skimp on some great creature effects and fun, sometimes shocking moments that make this a memorable endeavor that I can easily recommend giving a look.
Brandon Colvin’s A Dim Valley will be available for 24-hour rental as a part of the Oxford Virtual Film Festival. There will also be a live Zoom Q&A at 8 PM (Central Standard Time) with the director and actors, Whitmer
Despite boasting an impressively large lineup of interviewees, the three-part documentary series Time Warp: The Greatest Cult Films of All-Time adds little to the discourse on cult film and also could have used some more time in the editing room.
Butt Boy is the type of utterly singular film that is so adamantly committed to its premise that it completely cuts through its initial absurdity. A presumptive hit at Fantastic Fest; where films are always lauded for their quirks above all else,