We’ve arrived at the end of one of the most tumultuous awards seasons in quite some time. While many of the races have been sewn up, some are only deceptively safe, while others – including Best Picture – remain quite visibly
Sure, there were a ton of great releases this year, but like everything else in 2017 there were a few piles of hot garbage. Here we have the Film Pulse team’s picks for the worst movies they’ve seen this year.
2017 was a great year for movies, with a big number of good releases and a handful of great releases. As usual I had a difficult time whittling my list down to a manageable number and I was rearranging titles up until
It’s that time again; it’s time to share our year-end lists for the best in cinema, and, as usual, here’s my ranking for the best installment from each genre. Sadly, there is no room for YouTube videos because “Bat Trapped in
Here is a list of what I believe to be the best films of 2017; or, more specifically, the first half of my list of best films from 2017 along with one honorable mention for a grand total of 51 films. A mix of features and shorts, theatrical and online releases, anywhere from Mubi, Festival Scope, NoBudge, Vimeo, Flix Premiere, Topic, or Refinery29 (including one from our own website). Streaming links provided in some instances.
While I wouldn’t say there was a glut of horror films released this year, we did get a solid number of really great entries, a few of which garnered universal appeal, breaking conventions of the genre. The following list is my top
Yesterday saw the publication of what I believed to be the standout male performances from 2017 while today’s list is a rundown of the most impressive female performances of the year. And, much like yesterday’s list, this overview will also feature a number of omissions for various reasons, mainly my inability to see certain films. Cynthia Nixon in Terence Davies’ A Quiet Passion comes to mind and one that I have seen show up on several lists.
As always, I’m sure there are a number of performances missing from my list due to the simple fact that I have yet to see them, performances such as Timothée Chalamet’s role in Call Me by Your Name or Gary Oldham’s portrayal of Winston Churchill in Darkest Hour. I’m sure that these two specific performances, along with others not mentioned here, will be discussed and praised sufficiently that their lack of inclusion will be overlooked.
Film Comment has released their top films of 2017, with Josh and Benny Safdie‘s Good Time taking the number one spot. The number two and three spots went to Terence Davies‘ A Quiet Passion and Olivier Assayas‘ Personal Shopper respectively.