Who are your top influences?
From Talia: Florence Welch and Vincent Haycock’s ‘The Odyssey’ was a huge influence on me for this project. There’s such a complex emotional journey in that film communicated through just gesture and immersive camera movement. I also love to pore over fine art and photography references while honing in on the visual style of a film, to take a step outside of my primary medium and see what might pop up. The works of Vanessa Beecroft and also Deborah Turbeville taught me a lot about bodies in space – how they can be menacing one minute and comforting in the next.
From Alexis: Choreographically and storytelling-wise, I was largely inspired by the work of director Wendy Morgan and choreographer ‘King Charles’ in the music video “Happy (Feat. Derek Martin)”, produced by C2C. The detailed, beat-by-beat craftsmanship allows for a clear, complex, and complete narrative to beautifully emerge from the fabric of the music, without the use of any dialogue. Musically, I’m very inspired by the catalog of Janelle Monae: she has crafted a supremely unique and revolutionary use of orchestral arrangement, electrical charge, and a myriad of vocal performance styles to communicate both large-scale ideas about our society, as well as deeply intimate and personal contemplations of the human experience, particularly for women of color.
What do you hope people take away from this film?
We hope people take away the idea of community as a weapon against isolation. E T A is a reminder to step outside our own doubts and insecurities and see the chances for powerful human connection all around us.