Oscilloscope Acquires Lotfy Nathan’s ’12 O’Clock Boys’

Oscilloscope Laboratories has just announced its acquisition of director Lotfy Nathan‘s incredible documentary 12 O’Clock Boys, which recently had its premiere at SXSW 2013.

The doc is set to next screen at Hot Docs 2013, with plans to hit a few more festivals before a theatrical rollout later in the year.  When asked about the purchase, director Lotfy Nathan stated “Oscilloscope’s great. I really hope they don’t fuck this up.” Make sure you check out our review for the film here and listen to our interview with the director here.  Hit the jump for the full press release.

(New York, NY) March 25, 2013—Oscilloscope Laboratories announced today that it has acquired all North American rights to Lotfy Nathan’s debut feature, 12 O’CLOCK BOYS.  The film is fresh off its world premiere at SXSW, where it played to enthusiastic audiences and garnered significant critical praise.  It is next slated to screen at the Hot Docs and Full Frame Documentary Festivals, among others.  O-Scope will continue to roll the film out to more festivals prior to its theatrical, DVD, and digital releases.

The 12 O’Clock Boys are a notorious urban dirt bike pack in Baltimore.  Converging in groups and invading the streets, they dangerously–yet magnificently–make their presence known as they pop wheelies and weave in and out of traffic at excessive speeds, all the while taunting the police who must obey a self-imposed “no chase” rule for fear of endangering the public.  Nathan frames the three-years-in-the-making narrative through the eyes of the adolescent Pug – a kid from the Westside eager to join the 12 O’Clock Boys’ ranks. Pug reveres the Boys’ every move, and Nathan follows this young man through some of the most pivotal years of his life, providing a compelling and intimate personal story within the broader depiction of the wild, dynamic world of the 12 O’Clock Boys.
Dan Berger of Oscilloscope said, “In 12 O’CLOCK, Lotfy has introduced us to a world so compelling, so foreign, and so relatable all at once.  It’s a portrait of a subculture as much as a window into the state of America, and it’s all in the guise of THE WIRE by way of CIRQUE DU SOLEIL.  It’s seriously like nothing you’ve seen before.”
Filmmaker Lotfy Nathan said, “Oscilloscope’s great. I really hope they don’t f*&k this up.”

The film was both directed and produced by Lotfy Nathan.  The deal was negotiated by Dan Berger and David Laub of Oscilloscope with ICM Partners and Marc H. Simon of Cowan DeBaets Abrahams & Sheppard LLP on behalf of the filmmakers.
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