Slamdance 2017: DIM THE FLUORESCENTS Review
The world of cinema set-ups is chockablock with the familiar and the unique and in the case of Dim the Fluorescents, director Daniel Warth alongside co-writer Miles Barstead have pooled the two into a unique take of a familiar narrative. The familiar: focusing on the plight of the struggling artist; the unique: the struggling artists in this case bide their time by producing and performing elaborate demonstrations for companies and corporations.