I’ll likely piss off some readers, especially horror fans, when I say the slasher genre has pretty much been dead for the last two decades. It has been one of the weakest and most under-utilized subgenres of horror film lore, and looking back, it’s been nothing more than remakes, sequels to remakes and cookie-cutter, cliché-riddled schlock.
The creature feature. It’s a genre that hasn’t received much attention as of late. In the last decade, horror movies have primarily focused on crazed killers, self-mutilation, supernatural entities and recently unearthed, never-before-seen footage. Every now and then genre fans would love nothing more than to see a good old-fashioned monster movie.
I’ll be the first to admit I didn’t like Gregory Dark’s 2006 horror-thriller See No Evil. While it introduced a new crazed psychopath, Jacob Goodnight, to genre fans, it didn’t leave much of an impression. The film arrived when torture-porn horror films were beginning to reach their peak. Films like Saw and Hostel were pushing the envelope in terms of what horror films can get away with or even show. At the time, the genre became more about shock, blood and just how brutal and gross can you get. After a while you can become so desensitized that it becomes boring. That pretty much summed up my opinion of the original – all shock and brutality and little substance – to the point it was forgotten. It’s 2014 and here comes See No Evil 2, and much to this viewer’s surprise, it’s better than the original and is a pretty well made slasher film.
More than thirty short films were screened at the Thirteenth Annual Screamfest held at the Laemmle NoHo 7 in North Hollywood, CA. Not only do these films represent a wide variety of themes inherent to the horror genre they stand as
Film Pulse’s Ernie Trinidad had a quick chat with writer/director Brian Netto and writer/producer Adam Schindler on their upcoming found footage horror flick Delivery. The film follows a young couple agreeing to take part in a reality show that chronicles their first