PLEDGE Review
Pledge is like Hostel meets The Skulls, with it leaning more heavily on the wanton torture angle than saying anything of substance about the barbaric practice of fraternity hazing in America.
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CAM Review
It’s a compelling narrative driven by a solid performance from Madeline Brewer that becomes only more intriguing as Alice dives deeper into this strange technical nightmare she begins living.
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BODIED Review
Though a tad too long, coming in at two hours, the standout performances from Worthy (along with all the rappers involved), the fantastic script, and Joseph Kahn’s music video-esque visuals make Bodied not one to miss.
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KNUCKLEBALL Review
Playing out like a darker, more twisted version of Home Alone, Michael Peterson’s Knuckleball pits a clever little kid against a sadistic killer in a bloody game of cat and mouse.
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COLD SKIN Review
Playing out more like a gender-swapped version of The Shape of Water than the Lovecraftian horror it wants to be, Xavier Gens’ latest is a visually pleasing, but ultimately empty, creature feature that, while entertaining at times, fails to evoke the emotional resonance it sets out to achieve.
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PUPPET MASTER: THE LITTLEST REICH Review
It’s sleazy and sloppy, but leaning in to the comedic aspects of the series and doubling down on the variety of murder puppets definitely makes for a more entertaining viewing experience.
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Fantasia 2018: TIGERS ARE NOT AFRAID Review
Release Date: TBD
Director: Issa López
MPAA Rating: NR
Run Time: 83 Minutes
Set in the middle of a Mexican drug war, Issa López’s dark fantasy, Tigers Are Not Afraid, spins a carefully crafted, tragic tale of survival amid
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Fantasia 2018: HURT Review
Sonny Mallhi’s Blumhouse-produced horror film Hurt is based on a true story, and he really wants you to remember that. Over and over you’ll be bombarded with people mentioning it and even see it written throughout the film, just in case you
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Fantasia 2018: RONDO Review
Promising sex, murder and revenge, Drew Barnhardt’s Rondo, I can say, does indeed deliver on those three things. How well those three things are executed, however, is an entirely different matter.
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Fantasia 2018: OUR HOUSE Review
The film is a remake, or “reimagining” as they’re calling it, of the film Ghost From the Machine AKA Phasma Ex Machina from Matt Osterman, and while I haven’t seen the original, I’m not sure what it was that begged this story to be remade only eight years later, as it’s a pretty standard supernatural horror film with few, if any, memorable moments.
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Fantasia 2018: Award Winners Announced
The award winners for this year’s Fantasia Festival in Montreal have been announced, with Daniel Roby‘s science fiction film Dans La Brume winning Best Film. Nosipho Dumisa was awarded Best Director for the South African thriller Number 37.
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Fantasia 2018: THE MAN WHO KILLED HITLER AND THEN THE BIGFOOT Review
With its brilliant, on-the-nose title, you may think that you know what to expect from Robert D. Krzykowski’s The Man Who Killed Hitler and Then The Bigfoot, and while it does contain those two things, at its core, this is a bittersweet love story about an aging war hero reminiscing about the life he once had.
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Fantasia 2018: MEGA TIME SQUAD Review
Mega Time Squad, is an entertaining romp that poses the question of what would happen if an utterly inept criminal gained the ability to time travel.
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Fantasia 2018: 5 Anticipated Films
First, we took a look at five films to look out for at this year’s Fantasia Festival, now we’re going to highlight five films we’re excited to see in Montreal. There’s a huge number of titles to be excited for this
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Fantasia 2018: 5 Films To Watch
Montreal’s Fantasia Festival is almost upon us, and with its large number of great looking selections, we thought it would be a good idea to highlight a few titles we recommend checking out. Fantasia will be taking place July 12th through August
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Fantasia 2018: Final Wave of Films Announced
Montreal’s Fantasia Fest just announced their final wave of films, and if you didn’t already think this year was packed to the brim with great looking titles, they just dumped another huge list of films. Panos Cosmatos‘ Mandy has been
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