IFC has picked up the U.S. rights to Jennifer Kent‘s anticipated follow up to The Babadook, a period thriller titled The Nightingale. The film stars Aisling Franciosi as a former convict in 1800s Tasmania seeking revenge against her capture.
Hulu has released the first trailer for Ask Dr. Ruth, an upcoming documentary about the life of Dr. Ruth Westheimer, America’s most famous sex therapist.
Ask Dr. Ruth will be premiering at this year’s Sundance Film Festival and will be released in theaters
We’re happy and excited to premiere the teaser trailer for Christopher Good‘s (Mudjackin’, Brad Cuts Loose) upcoming short film Crude Oil, which is set to premiere later this month at the Sundance Film Festival. We’ve been fans of Good’s work
So masterfully directed is Time Share that its tale of wolfish sales tactics crosses over from petty satire and enters into emphatic human drama.
Nisha Ganatra‘s comedy Late Night is set to premiere at Sundance in January, and today a set of new stills have been released. The film is written by and stars Mindy Kaling as a comedian who’s hired as the only female
The 2019 Sundance Film Festival is gearing up to kick off January 24th in Park City, and today the bulk of this year’s lineup has been announced. 112 feature-length films have been selected, representing 33 countries and 45 first-time filmmakers. Inclusivity is also
Told over the course of one harrowing evening in Denmark, Gustav Möller’s The Guilty presents a tense thriller while keeping the viewers, and our protagonist, Asger (Jakob Cedergren), fixed in one location.
It’s a polarizing film that some like myself will love and find to be brilliantly funny and others will just find it too weird and annoying to get on board with. Whichever side you land on, An Evening With Beverly Luff Linn is a movie you won’t forget experiencing anytime soon.
This ’80s-set thriller is a chaotic, drug-fuelled, heavy metal, balls-to-the-wall extravaganza of violence and carnage.
In their second feature after the wonderful Turbo Kid, filmmaking collective RKSS (Anouk Whissell, François Simard and Yoann-Karl Whissell) take us back to the ‘80s and hits our nostalgia bone hard with Summer of ’84, an homage to genre films from the best decade.
Woven together as they are, without contextualization or a more dramatic arc, what’s left is only a somewhat interesting story about a somewhat interesting man that fizzles out with a somewhat of a whimper.
While American Animals might be as ambitious as The Imposter, it fails to hit the same levels of brilliance though it remains an entertaining watch.
Cohen and West take a non-linear approach to telling RBG’s life story, interspersing both old and new interviews and testimonies with file footage and home videos, and they punctuate major milestones in her life with benchmark cases and political movements.
Set in the 1920s, Sweet Country applies a classical Western aesthetic to this story while making clear that it is decidedly Australian.
The film’s high-brow, blink-and-you’ll-miss-’em gags blend seamlessly with the visual humor and physical bits. If you’re a fan of HBO's Veep, you will have a sense of what to expect with Stalin.
As this year’s Sundance Film Festival comes to a close in Park City, the award winners have been announced for the 2018 edition. Desiree Akhavan‘s The Miseducation of Cameron Post won the U.S. Grand Jury Prize: Dramatic, with Derek Doneen‘s Kailash winning the U.S. Grand
