Tribeca 2016: KING COBRA Review


Film Pulse Score

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DIRECTED by: Justin Kelly

Always cautious to recognize that the real-life version of what we’re seeing on screen might have been drastically different from what is presented in the film, I can fully appreciate that King Cobra is filmmaker Justin Kelly’s dramatic interpretation of the real-life story of a young porn star who becomes caught in the middle of a deadly industry rivalry. That said, it is a movie full of interesting characters that is well told, well shot and unlike any other murder-mystery film I’ve seen.

The performances are fully realized (though occasionally over the top), but all in all, the actors are clearly committed to their roles. Film veterans Christian Slater and James Franco play competing pornography producers, and rising stars Keegan Allen and Garrett Clayton play their protégés. The film also features, briefly, Molly Ringwald and Alicia Silverstone.

The story itself is intriguing, and should you want to know more, there’s a book – Cobra Killer: Gay Porn, Murder, and the Manhunt to Bring the Killers to Justice – about the events. Bryan Kocis (Slater) is a porn producer running a successful home-based production company out of his Pennsylvania home when he comes across the attractive, youthful-looking teenager Sean Paul Lockhart (Clayton), who has hopes of breaking into showbiz.

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Convincing Lockhart that his current retail job is “using” him, taking advantage of him and that performing sex acts on screen would actually be a way for the teen to realize his full potential, you begin to see how Kocis’ character attempts to manipulate these young men into believing that the most important role they can ever play is that of a porn star.

Eventually the pair end up making several movies, starring Lockhart as “Brent Corrigan,” a venture which becomes very lucrative for Kocis. When Lockhart realizes he could be making more money, he seeks out other production companies to sign with, realizing only afterward that Kocis has trademarked the name Brent Corrigan and thus “devaluing” Lockhart in the eyes of other film distributors. For those who don’t know the story and don’t want it spoiled, I won’t share more than that.

Quite possibly my favorite cut of this film is near the beginning where Kocis’ occupation is revealed, which I had hoped was Kelly setting the tone for a great tongue-in-cheek picture to come. Unfortunately, this film is not greater than the sum of its parts. There are some spectacular meltdown scenes by Franco, Slater, Ringwald and Silverstone and some rather shocking sex scenes to be sure, but throughout most of the film, I found myself feeling as if these individuals were more like caricatures than real humans with real issues. I wasn’t able to connect with them in the way that I wanted to.

Perhaps is was an issue of tone, not knowing whether to laugh or be terribly disturbed by sex scenes involving at least one young man who was a victim of sexual abuse. There were scenes clearly dropped in to provide some levity to the dark subject matter, but I mostly felt sad.

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