MOON GARDEN Review
Harris’ ambitious debut is a mad journey through a little girl’s comatose mind, filled to the brim with impressive practical effects.
Harris’ ambitious debut is a mad journey through a little girl’s comatose mind, filled to the brim with impressive practical effects.
Next up on our 2022 wrap-up is Raul, with his top 10 films of the year.
10. Marcel the Shell with Shoes On – dir. Dean Fleischer Camp
A cute stop-motion mockumentary with the most adorable character. Marcel strikes every
With six Academy Award nominations for visual effects, including two wins (Jurassic Park, Return of the Jedi), it’s safe to call Phil Tippett an animation legend. Mad God is Tippett’s passion project, made up entirely of traditional, stop-motion animation and creature fabrication.
Not the most suspenseful or terrifying body-horror creature feature, but its unique metaphorical approach leaves us with something to ponder about regarding family relationships and parenting.
With a meaningless story, underdeveloped plotlines, and a cringe-worthy performance from Emory Cohen, Big Gold Brick makes for a disappointing feature debut from Brian Petsos.
Next up on our year-end extravaganza is Raul! Be sure to let us know what you think of his picks in the comments and check back throughout the week for more lists.
10. No Time to Die (Cary Joji Fukunaga)
With Freeland, filmmakers Mario Furloni and Kate McLean deliver a small and intimate story embedded within the politics of marijuana legalization, that, while decent, just ends too soon for us to get emotionally involved.
While Devi (Krisha Fairchild) walks around the Cannabis
Edson Oda’s feature film debut is an arresting contemplation on life. One cannot sit through the film without questioning their values, prejudices and behavior, and reflecting on the triumphs and tribulations they have endured. Through content that incites introspection, Oda challenges the
Riders of Justice takes the action-revenge flick to a hilariously dark place by having fun with mental health.
Anthony Scott Burns’ sci-fi horror is a nail-biting terror ride for all, but being familiar with Jungian concepts makes Come True all the more cerebral and enjoyable.
The Wanting Mare serves better as a model for DIY fantasy and sci-fi filmmaking than as an enjoyable film.
We round out our year-end lists with Raul and his top 10 films of 2020, but fear not, we’ll be back next week with our most anticipated movies of 2021 so stay tuned.
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Watching Divine Love is like watching a home-run hitter ready up for a bunt. So much power and energy sit in the chest of the film, but it’s never released to its full potential.
Divine Love takes place in 2027 Brazil, where
Judy and Punch is a quirky and fun tale about feminist vengeance that is ultimately forgettable due to an inefficient script.
Rewind is an immediately engaging documentary that offers insights into child sex abuse that you will never forget.
Swallow is a meaningful study of mental illness through a captivating, off-the-wall character.