Tiff 2022: Roundup Part 3
Pearl Directed by Ti West Runtime 102 Mins Hot off the heels of the generously pastiched X from earlier this year, Ti West’s prequel/followup carves through the scatte
Pearl Directed by Ti West Runtime 102 Mins Hot off the heels of the generously pastiched X from earlier this year, Ti West’s prequel/followup carves through the scatte
This week, Adam and Kevin take a look at the horror film Barbarian, available now on HBO Max.
In this month's Halloween special, Adam and Ken take a look at just four of the many Stephen King adaptations throughout the decade including Misery, Sleepwalkers, The Dark Half, a
This week, Adam and Kevin review Ti West's X prequel Pearl, along with discussing some other titles including Sometimes They Come Back, The Hidden, V/H/S/99, and Ticket to Paradise
This week, Adam and Kevin take a look at the final entry in the new Halloween trilogy, Halloween Ends.
This week, Adam and Kevin welcome spooky season with two reviews- Mona Lisa and the Blood Moon and Hellraiser (2022).
This month, we conclude our Eerie, Indiana retrospective by discussing the final nine episodes along with a brief look at the second series, Eerie, Indiana: The Other Dimension.
This week, Adam and Kevin begin their coverage of Austin's Fantastic Fest with a review of Shin Ultraman, one of their most anticipated movies of the year.
This review is spoiler free, but does contain information regarding the cast members, the location, the time period and the main character’s occupation.
I Like Movies Directed by Chandler Levack Runtime 99 Mins A bittersweet slice of Millennial nostalgia for the Canadian cinephile writing this, Chandler Levack’s debut
This week, Adam and Kevin review the badass African Western horror hybrid Saloum, along with some other stuff including Horror in the High Desert, He's Watching, Tourist Trap, Conf
Here's part 1 of our Tiff review roundup including SICK, FIXATION, VENUS, and DE HUMANI CORPORIS FABRICA.
There is a turning-point-type moment in the supposedly subversive, queer romcom Bros that will serve as a breaking point for audiences as to whether they find its brand of righteo
The parodic deathblow dealt to the musician biopic subgenre, courtesy of Jake Kasdan’s Walk Hard: The Dewey Cox Story, has left subsequent genre entries with an unfortunate prospe
Considering the blunt imagery that the phrase “eat the rich” conjures in one’s mind, is it even possible for a satire that takes this sentiment as its main comed
This week, Adam and Kevin take a look at the indie comedy Funny Pages, out now on VOD platforms.