MOST BEAUTIFUL ISLAND Review
Most Beautiful Island has many illusions to perform, nerves to rattle and setpieces to conjure up.
Most Beautiful Island has many illusions to perform, nerves to rattle and setpieces to conjure up.
Novitiate is a movie of allusions, as the characters in its story become pieces with which we can examine the bigger changes outside the convent walls.
I stand in awe at Geostorm, a film so ludicrously broken, so haphazardly smashed together, so unrepentantly clichéd, so brutally incoherent, so hilariously self-serious, that it crosses the boundaries of terrible, smashes through the meager definitions of good and bad or right and wrong, transforms itself in the interim, and becomes phenomenal.
Sylvio becomes a fascinating individual, managing to escape the cornering of what could have been a single-joke idea and instead anchoring a sly and effective comedy.
Tragedy Girls digs into the commodification of mass grief and hysteria that marks the town’s usable reactions to the deaths.
The first half of Soy Nero is a good movie about a young, undocumented immigrant who navigates a labyrinthine system in a quest to achieve citizenship. The second half is an efficient, bracing war film about a small band of soldiers who are ambushed and have to navigate a desolate, dangerous desert.
Here is a movie begging to be edited, boiled down to its essence, relieved from the languid cross it must bear running at feature length.
With such a clunky script, it’s all window-dressing for a rather empty interior.
England is Mine is an uncharacteristically prescient and upfront name for a movie that isn’t even a fraction as bold.
CLASH clears away ideological nitpicking in favor of a constrained character study.
California Typewriter lives and dies on the visible passion of its interviewees, and the implied passion of its director.
Justin Chon's GOOK presents a consistent and well developed creative vision
68 KILL works because it’s as funny as it is bloody, and it’s very bloody.
VALERIAN is a beautiful mess, unrepentantly overstuffed from scene to scene, frame to frame.