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THE INCREDIBLES 2 Review

Incredibles 2 belongs to that upper echelon with the best of Pixar’s output because you can feel the patience and care the production brought in the final product.

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OCEAN’S 8 Review

As a longtime fan and frequent re-watcher of Soderbergh’s trilogy, this new installment is a welcome addition to the rotation and is certainly worth the price of admission for fans of the franchise.

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DOWNRANGE Review

Downrange isn’t exactly revolutionary, but if you’re in the mood for a solid piece of genre filmmaking from a stylish director, there are worse ways to spend 90 minutes.

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SWEET COUNTRY Review

Set in the 1920s, Sweet Country applies a classical Western aesthetic to this story while making clear that it is decidedly Australian.

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CHAPPAQUIDDICK Review

Chappaquiddick is another chapter in an accomplished filmography and a must-see come time for its streaming release.

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KING OF JAZZ Criterion Blu-ray Review

Because this film is already so scantily seen, this Blu-ray release operates as its own historical object that contains enough content for you to understand why this film, of all the old Hollywood revues, got the Criterion treatment.

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ISLE OF DOGS Review

Isle of Dogs has all the usual trappings of a Wes Anderson film. It has a bit of a wit, some dark undertones and a bleak, but nevertheless, happy ending.

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UNSANE Review

I wish Unsane was on the level of Magic Mike, Behind the Candelabra, or Contagion, but unfortunately it falters like Haywire and Side Effects, leaving you with a bad taste in your mouth as you leave the theater.

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A WRINKLE IN TIME Review

A Wrinkle in Time is a lovely children’s film that will have a positive impact on the world, and I think we should all be very grateful for that.

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THEY REMAIN Review

They Remain seems more interested in cribbing Alex Garland’s style than developing an aesthetic of its own that really fits the material.

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A FUTILE AND STUPID GESTURE Review

National Lampoon was in no way politically correct, and this film uses that fact to call attention to the legitimate problems with the magazine at the time and the people writing it, making them the butt of many a joke for being out of touch even then.

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Slamdance 2018: FAKE TATTOOS Review

Fake Tattoos is a lovely first feature, even if at times it feels like the French Canadian punk version of a number of different romantic films from Garden State to Before Sunrise.

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