You expect food to be the central focus of A Taste of Hunger, given the title and the fact that the film centers on a chef named Carsten (Nikolaj Coster-Waldau). What’s unexpected is the references to food and cooking that exist outside
With Freeland, filmmakers Mario Furloni and Kate McLean deliver a small and intimate story embedded within the politics of marijuana legalization, that, while decent, just ends too soon for us to get emotionally involved.
While Devi (Krisha Fairchild) walks around the Cannabis
Taking a human-centric look at platform capitalism, The Gig is Up is an informative and succinct approach to the nuances and trappings of the gig economy.
Video game adaptations are often a precarious prospect when it comes to transitioning to the big screen; studios can’t seem to get the transition right, either losing sight of – or perhaps just not recognizing – what makes the game so successful
I have no idea what compelled director Aristotelis Maragkos to remix the 1995 TV miniseries The Langoliers, but I’m very glad he did because this is certainly one of the most unique storytelling methods I’ve experienced this year, and it’s one that
The atmosphere of South of Heaven feels like an action movie shoved inside a drama with a love story and a life-threatening-disease crisis sprinkled on top, yet even its charming leads can’t dig their way out of this one.
From its alluring and tragic opening minutes, wherein a young woman commits suicide while nearby a serial killer claims his next victim, it quickly becomes evident that Carlos Conceição’s giallo-infused thriller Name Above Title is going to be far from your typical
Even if you’re not familiar with their discography, you’ve probably at least seen some of the antics of metal band GWAR, specifically their wild stage shows. Scott Barber’s documentary, This is GWAR, aims to present the definitive history of the band, highlighting
Initially playing out like a post-apocalyptic version of The Beguiled, Kelsey Egan’s Glasshouse quickly comes into its own with its intriguing world-building and exquisite production design. Although its final reveals will likely divide audiences and take some time to process, it remains
It’s been seven years since we saw the last entry in the popular anthology horror series V/H/S, and it seems that it was taking a much-needed break, as it’s back with its most astute offering yet, V/H/S/94. Composed of four segments along
Skyrocketing to become the biggest electronic music duo in the world in the early ’90s, Bill Drummond and Jimmy Cauty’s stadium house project, The KLF, was an unstoppable force, spearheading the growing rave culture throughout Europe. Despite a seemingly endless series of
The teen slasher genre has felt like it was in need of an update to catch up to the changing social climate, and it would seem that director Patrick Brice felt that way too, as exemplified by his horror-thriller There’s Someone Inside
A key element in any good documentary is to introduce the audience to a compelling subject. While this can be either a set of characters or an interesting topic, the former always manages to create a more memorable experience to viewers and
Creative filmmakers have proven multiple times over that one doesn’t need a big budget to craft a mind-bendingly entertaining time-travel film, with titles like Primer and Timecrimes showing audiences that you can still have a narratively complex science-fiction story without dropping $100