Just yesterday, I posted my favorite male performances from the past year and now it is time for my favorite female performances from 2018. And just like with the list yesterday there are listed in no particular order. If anyone is
It’s that time of year again. Where I compile all of my favorite performances from the past year and, here, I am going to start with the male performances that affected me most. These range from dramatic turns to the comedic to
Writer/director Brandon Colvin is currently crowdfunding his third feature titled A Dim Valley, which will be his follow-up to Sabbatical, a film that landed on my Year-End Best Of list at No. 4 back in 2015. It is also a film
Girls Always Happy is at once light and breezy, much in the way that Wu (Yang) maneuvers through the alleyways on her scooter, while also being acerbic and gloomy as its lightness is intermittently pulled towards the latter, attaining a certain poignancy therein.
Writer/director Sam Kuhn seems to have an affinity for the forest; seeing it as a miraculous space, beckoning those to enter and explore, enticing any and all with the allure of some fantastical quest or an objective that will reveal one or two illuminating truths or, at the very least, the promise of respite from the day-to-day trivialities life has to offer.
Reis and Guerra’s Djon África is a travelogue, broadly covering the numerous corners of the island nation of Cape Verde while a journey of self-discovery plays out concurrently with Miguel inhabiting the role of main character and an unknowing host, of sorts, treated like a tourist in his own homeland.
Just recently I stated that, when it comes to films featuring cinematography from Sean Price Williams, it would be nearly impossible for me to view the overall project as anything less than worthwhile based on this simple fact alone.