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THE ACTOR Review

The Actor is a witty and kind-hearted look at the acting industry from the perspective of a career sideliner.

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THE NIGHT Review

The Night is a slick — but ideologically empty — time-loop horror that drags on like its creepy premise.

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ASSASSINS Review

The assassination of former heir apparent to the role of Supreme Leader of North Korea, Kim Jong-nam is probably the only time in the history of the world where the legal defense can be summaraized as, “It was just a prank, bro.” 

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ALABAMA SNAKE Review

The crime odyssey of Glen Summerford in the fall of 1991 is one of those “stranger than fiction” cases that accordingly has risen to the esteem of modern-day folklore in the Appalachians, where it had occurred. 

Marred by uncertainties and spread through

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THE MYSTERY OF THE PINK FLAMINGO Review

Consider the pink flamingo. Curved neck, hooked beak, penetrating yellow eyes and perched on one scrawny leg with the other securely tucked into its plumage, fashioning its signature pose. 

For most, this striking bird is a brief object of amusement, possibly even

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THE TWENTIETH CENTURY Review

Like fellow Winnipeg weirdo before him, Guy Maddin, Matthew Rankin is quickly establishing a unique brand of surrealism for himself in the world of Canadian cinema. In his full-length feature debut, The Twentieth Century, the director applies his penchant for madcap and

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CHICK FIGHT Review

Paul Leyden’s Chick Fight centers on an underground MMA fighting club wherein pressed-upon women who have been “trained by society to cry out their problems” can embrace their inner Amazonian and work it out on another woman’s face in the ring. The