GHOST LIGHT Review
Ghost Light squanders what goodwill its cast builds up on a confused deluge of lackluster plots.
Ghost Light squanders what goodwill its cast builds up on a confused deluge of lackluster plots.
Plus One finds the heart and hilarity in taking on the chaotic onslaught of wedding season with cringey glee.
Extracurricular Activities is an intriguing premise that is completely let down by the bland, tonal failure of the film’s execution.
Charlie Says is a formulaic biopic of Manson's followers whose execution borders on the irresponsible.
Extremely Wicked, Shockingly Evil and Vile is a mouthful of a title for a surprisingly vacuous biopic that never gives decent grounds for its existence.
Wanting to redefine a biblical figure with a centralizing spotlight, Mary Magdalene stumbles irrevocably into formulaic and superficial territory.
Missing Link brings the expected technical proficiency and heartwarming storytelling that Laika built its reputation on but with an added sense of classical adventure for good measure.
Jeff Tremaine’s Mötley Crüe biopic demonstrates that certain films deserve to stay in development hell until they burn out and fade away for good.
While the community it focuses on takes niche to its most extreme lengths, Well Groomed is a refreshingly even-handed journey through the beyond-strange world of creative dog grooming.
Cradle of Champions offers an intimate yet unfocused look into the New York Golden Gloves competition that underlines the tradition and spectacle of the event
Prosecuting Evil proves to be an engrossing, if shallow, portrait of one the most significant figures in international criminal law.
The nominees this time around confront enduring stigmas, draw parallels to our political climate from history, surmise personal and global crises, and collectively challenge their audiences’ worldview.
Their brevity aside, the assembled nominees for this year’s Academy Awards demonstrate the benefits of working with condensed production cycles based on the timeliness of their selected subjects.
This year’s live-action shorts make a case that they have something to say even if the Oscar telecast doesn’t want to give them the time.
Who Killed Cock Robin is an overwrought mystery on a threadbare premise that can’t find a way to string along its audience.
Jean-luc Godard’s The Image Book continues his late-career trip through evocative and enigmatic video essays with a horrific search for truth in cinema.