6.5
THE LIMEHOUSE GOLEM Review
THE LIMEHOUSE GOLEM is a weirdly compelling treatment of the performative aspect to a serial killer.
Posted by: Chris Luciantonio
6.5
4
CIRCUS KANE Review
CIRCUS KANE has its handcrafted charms, but the production is penny wise and pound foolish.
Posted by: Blake Crane
4
THE EVIL IN US Review
The Evil In Us is a drab and annoying cabin-in-the-woods horror movie where, surprise, the monster was inside of us all along.
Posted by: Mynt Marsellus
4
THE SPACE BETWEEN Review
THE SPACE BETWEEN never finds an identity of its own.
Posted by: Chris Luciantonio
6
KILL ME PLEASE Review
Kill Me Please works as a well shot story of adolescence, but doesn’t delve far enough into its intriguing premise.
Posted by: Adam Patterson
7
FOR FUTURE REFERENCE: CASA DE MI MADRE
Hyphenate-heavy Frank Mosley’s short film, Casa De Mi Madre, was produced during his time in Cuba while attending an Abbas Kiarostami-led filmmaking workshop and with the support of Black Factory
Posted by: Kevin Rakestraw
3
BIRTH OF THE DRAGON Review
BIRTH OF THE DRAGON does a disservice to the cinematic legacy of Bruce Lee.
Posted by: Chris Luciantonio
7.5
BUSHWICK Review
Bushwick is an energetic, unflinching look at war on the homefront with some great cinematography and an unforgettable climax.
Posted by: Adam Patterson
3.5
ENGLAND IS MINE Review
England is Mine is an uncharacteristically prescient and upfront name for a movie that isn’t even a fraction as bold.
Posted by: Ken Bakely
5
THE VILLAINESS Review
Two outstanding, seemingly single-take action sequences bookend The Villainess, but the strong first and last impressions can’t make up for a shapeless, meandering middle.
Posted by: Blake Crane
6
CLASH Review
CLASH clears away ideological nitpicking in favor of a constrained character study.
Posted by: Ken Bakely
2
LEAP! Review
The voice performers were all excellent for the most part but didn't have much to work with script wise; I couldn’t say whether this is due to bad writing or cultural/linguistic translations, but the version meant for American audiences was bewildering and bloated to say the least.
Posted by: Mary Patterson
7.5
LOGAN LUCKY Review
Logan Lucky strips away the complexities of the genre and frames it around the common man’s hopes for a big score.
Posted by: Chris Luciantonio
4
LEMON Review
Janicza Bravo’s debut feature, Lemon, is a triptych of a mediocre man named Isaac (played by Brett Gelman), a stunted man with a deteriorating set of social skills who currently finds himself in a challenging stretch of his life brought on by his inability to think of anyone but himself.
Posted by: Kevin Rakestraw
6
CALIFORNIA TYPEWRITER Review
California Typewriter lives and dies on the visible passion of its interviewees, and the implied passion of its director.
Posted by: Ken Bakely
