An Evening With Beverly Luff Linn - Still 1 7.5


It’s a polarizing film that some like myself will love and find to be brilliantly funny and others will just find it too weird and annoying to get on board with. Whichever side you land on, An Evening With Beverly Luff Linn is a movie you won’t forget experiencing anytime soon.

Matria - Still 2

Sundance 2018: Short Film Award Winners Announced

As this year’s Sundance Film Festival rolls on, the jury awards for short film were announced tonight. Álvaro Gago’s Matria won the Grand Jury Prize, with Mariama Diallo’s Hair Wolf winning the U.S. Fiction Award, and Tamta Gabrichidze’s The Trader winning the Non-Fiction Award.

Take a

Slamdance-Film-Festival-Birds-Without-Feathers-1-800x480 5

Slamdance 2018: BIRDS WITHOUT FEATHERS Review

Perhaps, the most hindering aspect of the film would be its structure, which is comprised of six separate storylines, shuffled throughout the film with occasional overlap and interaction, and (to a certain extent) the characters who inhabit that structure.

Quest_1 7

Slamdance 2018: QUEST Review

Either from the often strikingly intimate handheld shots or his script, which bleeds unfiltered affection for his characters and the night-soaked streets of Berkeley, Quest is uncomplicated humanism that plays equally to the people at the front row as well as those at the back of theater.

man on fire 6

Slamdance 2018: MAN ON FIRE Review

With his camera at hand and a burning human to point it on, the most the film gets out of its subjects is an ill-advised, one-sided conversation where black residents and “woke” allies point to clear-cut racism and the folksy residents shrug their shoulders and deflect.

Ingrid 6

Slamdance 2018: INGRID Review

It’s a gently mounted series of observational moments, less of a congealed, thesis-based documentary and more of a video diary.

The Guilty - Still 3

Sundance 2018: Magnolia Picks Up THE GUILTY

Magnolia has announced they picked up the North American rights to the Danish thriller The Guilty, after having its premiere at this year’s Sundance Film Festival. The film, directed by Gustav Möller, takes place in an emergency call center, with an officer frantically
fake_tattoos 7

Slamdance 2018: FAKE TATTOOS Review

Fake Tattoos is a lovely first feature, even if at times it feels like the French Canadian punk version of a number of different romantic films from Garden State to Before Sunrise.

invt_india 7

Sundance 2018: INVENTING TOMORROW Review

With what could have been a rather boring subject, considering so much of it was scientific jargon, Nix was able to breathe life into the students’ projects and deliver a compelling, engrossing picture from their teenage perspectives.

The Guilty - Still 3 6.5

Sundance 2018: THE GUILTY Review

Told over the course of one harrowing evening in Denmark, Gustav Möller’s The Guilty presents a tense thriller while keeping the viewers, and our protagonist, Asger (Jakob Cedergren), fixed in one location.

Half the Picture - Still 2 6

Sundance 2018: HALF THE PICTURE Review

Half the Picture, a documentary from director Amy Adrion about the lack of women directors in television and feature films, centers on the male-dominated entertainment industry from the perspective of some of the women who have struggled to realize the same professional