Playing out like the rowing equivalent of Whiplash, Lauren Hadaway’s intense, frantic and constantly energetic The Novice is an overwhelming but fascinating look at obsession. Isabelle Fuhrman plays Alex Dall, a college freshman who decides she wants to join the novice crew
Exuding the same artsy vibes of its recent indie folk horror brethren, Jonathan Cuartas’ My Heart Can’t Beat Unless You Tell It To is an ultra lo-fi,slow-burn thriller that, while visually appealing, lacks a bit in its overall narrative.
In addition to a special screening of James Gunn’s upcoming The Suicide Squad, the 2021 Fantasia Film Festival in Montreal has revealed its second wave of titles containing another buttload of features to be added to your watch list.
Indie auteur Mickey Reece’s latest, and perhaps most ambitious project to date, Agnes, is at once a conventional, yet massively compelling possession film, as well as a subtle rumination on religion and acceptance of past traumas. It’s not something that will not
It was just a few short days ago that I was writing about the ’90s NYC skateboard scene in my review of The Kids, which takes a look at the individuals involved with Larry Clark’s seminal 1995 film, and now I’m back
As this year’s Tribeca Film Festival rolls on, the award winners have officially been announced. Lauren Hadaway‘s The Novice took home the Best U.S. Narrative Feature Film and Jessica Kingdon‘s Ascension picked up Best Documentary.
I can’t remember exactly how old I was when I first saw Larry Clark’s film Kids, an unflinching look at urban youth in the ’90s, but I can say for certain that I was way too young. Released in the summer of
The teaser trailer has dropped for the upcoming horror-comedy Werewolves Within, set to premiere at this year’s Tribeca Film Festival before landing in theaters June 25th and on VOD platforms July 2nd.
An adaptation of the video game, which is itself an
With climate change becoming a more important issue on a daily basis and the world in the grips of a horrific pandemic, it seems more appropriate than ever to see the production of more eco-horror films — movies that typically feature Mother
The Spine of Night is the type of film that proudly wears its obvious inspirations on its sleeve and plays out like a pastiche for an audience that is very much in the know for what it is going for. Philip Gelatt
No matter who you are or where you happen to live, the pandemic has profoundly affected us all in a myriad of ways, not the least of which is us being forced to isolate from one another, exacerbating people’s feelings of loneliness
A recent trend in the realm of horror documentaries has seen directors preferring to “go long” on their subjects, resulting in extended, daunting runtimes. Recent examples, such as Never Sleep Again: The Elm Street Legacy (3 hours, 59 mins.), In Search of