The Galas and Special Presentations programs have been announced for this year’s Toronto International Film Festival with a typically obscene amount of high profile films being included. This year there will be 17 Galas and 30 Special Presentations, with 21 world premieres,
The latest Lanthimos joint, The Favourite, has been announced as the opening night film for this year’s New York Film Festival, which is celebrating its 56th edition. The festival is set to run in NYC from September 28 – October
Violence Voyager remains a disturbing bait and switch of gory delights for all who can stomach it.
This is a film that subverts your expectations of the romantic drama. In its opening monologue, you think this is going to be a story of a once-passionate and loving relationship that went up in flames. What you’re greeted with is the semi-tumultuous pairing of two very unlikely companions.
Whether this film has any hope for the future isn’t really the point so much as thinking broadly about how world events affect our microscopic lives, and, more importantly, what we do about that.
It is not everyday you walk away from a film and think the 30-minute, one-take aspect is the least interesting about it, but it is rings true for Ueda's layered horror comedy experience.
What is so interesting about Dukun's tackling of witchcraft as a horror subject is that the tension does not come from whether or not it is real, but from what the sadistic soul who practices it will do with her unregistered power.
Kanato Wolf's Smokin' on the Moon is a bait-and-switch exercise that begins with an anarchist sense of untethered visual chaos and grinds down to a cloying but effective buddy picture.
Scythian Lamb is a pointed, but utterly airless, exploration of a topic that Yoshida struggles to mold.
Attempting to highlight the idea that rumors have real-world consequences for the unlucky ones they concern, The Hungry Lion is a meditation on the effects of schoolyard buzz on one of its victims in a monopolizing, objective manner, which dryly makes its opinions heard through blank, repetitive sermonizing about the ills of the young people.
In possibly the most dreary film seen in decades, Yue Dong’s The Looming Storm presents an intriguing Chinese noir, set in a town sandwiched between four factories where a man’s obsession brings him to ruin. Bathed in melancholy, Dong crafts a fascinating mystery buttressed by a magnificent performance by Yihong Duan.
First, we took a look at five films to look out for at this year’s Fantasia Festival, now we’re going to highlight five films we’re excited to see in Montreal. There’s a huge number of titles to be excited for this
Montreal’s Fantasia Festival is almost upon us, and with its large number of great looking selections, we thought it would be a good idea to highlight a few titles we recommend checking out. Fantasia will be taking place July 12th through August
If you can get past the ridiculous CG blood (clearly I can’t), The Age of Blood is an entertaining period piece that proves the time period isn’t just reserved for Japanese and Chinese cinema.
Officially formed in 1973 and still doing shows to this day with its original members, The Wynners isn’t a very widely known band outside the members’ native Hong Kong, but there, they will go down in history as one of the most famous and prolific Cantopop groups ever.
Shot in just eight days, Richard Somes’ Filipino actioner We Will Not Die Tonight evokes a lo-fi version of Walter Hill’s The Warriors, delivering unrelenting violence from the first act that never lets up.
