US Review
Just like Peele's first film Get Out, Us is a skillfully written mystery-horror filled with deceit, humor and social commentary.
Just like Peele's first film Get Out, Us is a skillfully written mystery-horror filled with deceit, humor and social commentary.
Director Joel Potrykus always seemed to have a penchant for foul man-children, but his latest, Relaxer, is his magnum opus of slackerdom.
In his most mature work to date, writer, director and modern exploitation savant S. Craig Zahler crafts a meticulously sprawling crime thriller with Dragged Across Concrete, a 158-minute homage to the gritty cop dramas of yore.
As usual, Arrow knocked it out of the park with this release, but the film itself is a bit average aside from the presence of Edwige Fenech.
While the community it focuses on takes niche to its most extreme lengths, Well Groomed is a refreshingly even-handed journey through the beyond-strange world of creative dog grooming.
Bog-standard, straight-to-video horror movies were a dime a dozen in the ’90s, and while Kolobos may unfairly be lumped into that category, there’s enough creativity here to set it apart from the rest.
Set within the seedy porno sets and neon-soaked discotheques of Paris in the late 1970s, Yann Gonzalez crafts a stylish, nasty giallo with Knife+Heart, which, despite overstaying its welcome, is a fascinating mystery-thriller that oozes with gorgeous visuals and a heaping pile of camp.
Blending light horror with surreal visuals and propelled by a thumping indie-rock soundtrack, A.T. White’s feature debut Starfish is a sometimes-stunning, but uneven, meditation on grief.
So, you want to see Marvel’s next buzzworthy action spectacle, Captain Marvel, but when you look at the listings, it’s a labyrinth of versions. The standard 2D version or perhaps the Real D 3D version? Or how about IMAX? But there
A fairly routine relationship drama adorned with existential ponderings that has plenty of creativity but runs a little low on emotion.
An Elephant Sitting Still is a lengthy and somber exhibition of life's unfairness pieced together with an innovative story arrangement.
Cradle of Champions offers an intimate yet unfocused look into the New York Golden Gloves competition that underlines the tradition and spectacle of the event
While the film is occasionally on the nose (Saenz’s name is often said similar to the word science, which feels too cute by half), it is an engrossing piece of cinema with a wonderful lead performance at its heart.
Nothing is expounded upon, just introduced (sometimes in a shocking manner) and resigned to a sedentary existence amongst other ideas launched and ignored.
Prosecuting Evil proves to be an engrossing, if shallow, portrait of one the most significant figures in international criminal law.