Dan Gilroy’s satirical Velvet Buzzsaw injects a heaping dose of bloody horror into the pretentious consumerism of the art world, centering on a cast of cartoonish narcissists as victims of the very pieces they draw profit from.
Cold Pursuit is thrilling, funny and brutally violent, and, despite it essentially being the exact same as the 2014 version, it’s a marked improvement and sure to reach a wider audience.
Sure, it’s cringey, clumsily scripted and directed and doesn’t hold up in any way, but I had a great time revisiting this little piece of my childhood and applaud MVD for taking the time and care to release such a high-quality package of such a low-quality movie.
The film delves a bit into Larsson and a bit into the subjects of his work but never fully commits to one or the other, leaving the end product a bit lacking.
Jean-luc Godard’s The Image Book continues his late-career trip through evocative and enigmatic video essays with a horrific search for truth in cinema.
King of Thieves is a wasted opportunity to showcase London’s most prolific heist utilizing a group of knockout actors, but the resulting narrative is a flaccid, tonally awkward bore.
Babis Makridis & Efthymis Filippou’s latest black comedy is a shocking critique of the wealthy’s unending appetite for all things, even the unappealing.
Breakout writer/director Rachel Tunnard’s low-budget, low-runtime debut feature is a brilliantly funny and endearing look at the weight of grief, fear, adulthood and a lesson in learning how to carry it all.