MDMA Review
It’s a mess but a strangely watchable one, and I honestly think that’s good enough for a recommendation.
It’s a mess but a strangely watchable one, and I honestly think that’s good enough for a recommendation.
This ’80s-set thriller is a chaotic, drug-fuelled, heavy metal, balls-to-the-wall extravaganza of violence and carnage.
Cold Water is an absorbing, pensive look at what such desires feel like on the inside, with its handheld close-ups on faces and careful observance at objects and structures, as if to seek answers from everything in equal measure.
With his latest, maverick actor/director Shinya Tsukamoto continues his later career's exploration of more traditional genre forms examined under his iconoclast perspective with the condensed and eclectic samurai drama Killing.
Dario Argento’s Deep Red stands as not only one of the director’s best pieces of work but marks the zenith of the giallo subgenre, a film to which all other gialli should be compared.
Like the super predator, what we’re left with is an 11-foot hybrid monster that probably shouldn’t have attempted this evolution.
Nothing that’s built around the Nun’s haunting glare fully ignites the nightmare fuel inherent in the image.
Playing out more like a gender-swapped version of The Shape of Water than the Lovecraftian horror it wants to be, Xavier Gens’ latest is a visually pleasing, but ultimately empty, creature feature that, while entertaining at times, fails to evoke the emotional resonance it sets out to achieve.
Sadly, the Blu-ray release for Hereditary is a bit lacking, containing only a few bonus supplements, although what’s here is good.
Let the Corpses Tan proves itself trapped between its acid-western origin point and its generic shoot-em-up plot structure, unable to artistically rectify the two poles of its superficial identity.
Operation Finale is the historical film at its most safely crafted, even as individual production elements, such as Alexandre Desplat’s pushy score – heavy on everything from marimbas to choirs – suggest departures from a cookie-cutter approach that aren’t reflected onscreen.
There’s a special kind of cheesiness to ’90s horror, and Shadowbuilder is a prime example.
While not one of Argento’s strongest offerings, The Cat O’ Nine Tails is still a solid piece of early giallo cinema and Arrow has put its trademarked effort and care into this new Blu-ray edition.
With what could have been a rather boring subject, considering so much of it was scientific jargon, Nix was able to breathe life into the students’ projects and deliver a compelling, engrossing picture from their teenage perspectives.
Searching provides an experience that colors far outside the constraints of digital boxes, going far beyond a simple visual gimmick.
It’s the kind of enigmatic art that contains multitudes but ultimately speaks for itself.