8
When Hideo Nakata’s Ring was released in Japan in early 1998, it completely revolutionized J-Horror, setting the stage for a groundswell of creepy supernatural titles to be released in the following years.
8.5
Even for people such as myself who find werewolf movies to be somewhat shallow in the realm of horror, it’s undeniable that John Landis’ An American Werewolf in London is a timeless classic that showcases one of the best lycanthrope stories put on the screen.
Arrow Video has announced their November 2019 home releases for the U.S., which include Apprentice to Murder Flowers in the Attic, The Far Country, Hitchhike to Hell, and Robocop.
Take a look below for more details about these releases and
7
Part giallo, part psychological thriller and part nunsploitation flick, Killer Nun may carry an on-the-nose title, but there’s far more going on here than your standard exploitation fare.
6
It’s such an incredible release for such a pitifully mediocre movie, but I could see why The Prey may have developed a bit of a cult following with its strange choices and terrible dialogue.
8
Arrow has once again outdone themselves with these two releases, and although it would have been nice to have more involvement from Ashley Laurence and Clive Barker, both Blu-rays are must-haves for the discerning horror fan who still loves physical media.
Arrow Video has announced the U.S. lineup for October 2019, which includes new Blu-ray releases of The Prey, Toys Are Not For Children, Killer Nun, Crimson Peak, The Dead Center, An American Werewolf in London, the Ringu collection (Ringu, Ringu
9
Hellraiser remains a horror classic and successfully creeps me out even after seeing it so many times.
6
Overall, this is an average Arrow release for a below-average film, one that truthfully only hasn’t been forgotten due to the legend who directed it.
Arrow Video has revealed their Blu-ray titles for the U.S. in September, which include Wes Craven‘s The Hills Have Eyes 2, Aldo Lado‘s Who Saw Her Die?, Carl Colpaert‘s In The Aftermath, Clive Barker‘s Hellraiser, Tony Randel‘s Hellbound: Hellraiser
8
As someone mildly obsessed with this time in New York’s history, I was already drawn to Cruising, but the fantastic remaster and commentary make this a must-buy despite the other bonus content being somewhat scant.
9
With this robust amount of content – combined with the fantastic restoration, the Arrow Video release for Alice, Sweet Alice is absolutely top notch and one that I highly recommend picking up.
7
It was a joy revisiting this quintessential ’80s film, and while it doesn’t hold up as well as some other classics of the decade, Arrow did a great job restoring it and presenting a lovingly crafted package celebrating this piece of comedy history in a definitive edition.
5.5
It may have a dreadful script, a soft-core porn soundtrack, rough performances and an aesthetic that looks a decade too old, but all these elements add to the cheesy fun.
7.5
While the script is a bit on the sparse side, The Loveless additionally showcases some incredible talent behind the camera with Bigelow and Montgomery’s direction.
7
Packed to the brim with an overwhelming amount of music, John A. Alonzo’s comedy FM plays like the Baby-Boomer version of Rock ‘n’ Roll High School (released a year later), though it carries only a fraction of the same energy.
