A new trailer has been released for Bert Scholiers‘ upcoming Belgian comedy Charlie and Hannah’s Grand Night Out, which is set to screen later this week at the Slamdance Film Festival in Park City, UT. The film sounds delightfully absurdist, revolving around two
One film that I’m very interested in checking out at Slamdance this year (and one that we previously featured on Kickstart Sunday) is Wendy McColm‘s dark comedy Birds Without Feathers, and today its first trailer was released. The film revolves around
I hope you’re all getting excited as the 2018 Slamdance Film Festival draws near, taking place January 19-25th in Park City, UT. Today, the Beyond features and and Shorts lineup has been revealed, featuring a bevy of notable releases you should definitely
The 2018 Slamdance Film Festival is almost upon us, and today the feature competition lineup was revealed. The 24th edition of Slamdance will be taking place in Park City, UT from January 19th to the 25th.
A diptych on the inner lives of supporting characters, each afforded the lead in their own half of the film, is how writer/director Joyce Wong decides to explore the ups and downs of the people that usually occupy the margins of a film in her debut, Wexford Plaza. A series of interactions, both intimate and social, taking place within the vacant spaces of a strip mall tilting towards dereliction, of well-meaning intentions unraveling the frayed strands of two lives to differing degrees.
As the title of Bill Waterson’s comedy Dave Made a Maze suggests, Dave does indeed make a maze — and what a maze it is. Exploding with creativity, this quirky film about a slacker who creates a cardboard labyrinth in his apartment and subsequently gets himself and his friends lost inside is a ridiculously fun and absurd romp that had me chomping at the bit to uncover each and every unique room and passageway.
The 2017 Slamdance Film Festival is wrapping up and with that this year’s award winners have been announced. Daniel Warth‘s Dim The Fluorescents won the Narrative Feature Jury Prize, with Stefan Avalos‘ Strad Style winning the Documentary Feature Jury
An experiment in narrative storytelling, Joji Koyama and Tujiko Noriko’s Kuro sets out to rethink and/or reappropriate certain modes of storytelling within the cinematic landscape. Its experimentation is as refined as it is all-encompassing resulting in an intriguing film-viewing experience as the imagery and sounds of Kuro (almost) never exist within the same spatial reality, each specific aspect detailing different moments in time, concurrently as an overlay of past and present.
Withdrawn is a fitting title for Adrian Murray’s feature-length debut as nearly every aspect of the production appears to inhabit some form of withdrawal within its process. Granted, the title seems to directly refer to the specifics of the film’s narrative regarding a young man plotting to withdraw funds from someone else’s misplaced credit card, but it also extends itself outward, permeating every inch of the film’s fabric.
What would you do if you accidentally killed someone while hanging out in a house that you weren’t exactly supposed to be in? Most rational people would immediately call the police and tell the truth. But if you’re one of the three friends in Dan Berk and Robert Olsen’s Body, however, you’re going to do pretty much anything but that.
Slamdance 2016 is gearing up to kick off in Park City January 22nd, and here we have the trailer for one of this year’s features, Alvin’s Harmonious World of Opposites, from director Platon Theodoris. As with all Slamdance films this is the directorial
Patrick Ryan’s feature debut, Darkness on the Edge of Town, is a gritty Irish tale of revenge, wrought with chaos and violence. The dreary fog-soaked hills of Ireland become the perfect backdrop for this story, which revolves around two best friends avenging the murder of an estranged sister. Though it feels as if no one in this film has a soul, Ryan makes up for it by employing some great visuals and lighting, which, along with and interesting narrative structure, make this film worth a look.
Across the Sea follows Damla (Damla Sönmez) and her American husband, Kevin (Jacob Fishel), as they visit Damla’s family home in Turkey, a beautiful seaside paradise where everyone seems to know everyone else, where small fishing boats bob in the shallow waters and children squeal with joy along the water line, and where there is a dark secret yet to be revealed to its inhabitants.
The Audience, Jury, and Sponsored award winners of this year’s Slamdance Film Festival have been announced, with Nisan Dağ & Esra Saydam’s Across the Sea winning the Audience Award for Narrative Feature and a Jury Honorable Mention for Narrative Feature. Sweet Micky For President was
Today, Shout! Factory announced that they have acquired the rights to Brian James O’Connell‘s horror-comedy Bloodsucking Bastards, which just screened at this year’s Slamdance Film Festival. The film stars Fran Kranz as an apathetic office worker who discovers his new boss is a vampire. The