The bizarre tale of a woman’s body found in a New Hampshire farmhouse and the search to understand what led to her death is an intriguing premise. Not a murder, not a suicide, the passing of Linda Bishop was a result of, remarkably, both her incredible optimism and then her crippling fear of the outside world, brought on by her delusions.
Offering unbelievable insight into the mind of Bishop in her final days, a pair of notebooks left in the farmhouse detail her thoughts as she examines the world through its windows. Directors Todd and Jedd Wider weave together shots of the home’s interior and exteriors with interviews with friends and family as they tell the story of Linda Bishop — her early life and her final days.
I am usually not a fan of music documentaries; they often feel self-infatuated, and having worked as a music columnist, I am a bit fatigued by them. Yet I Called Him Morgan is a refreshing, absolutely fascinating doc about the life and death of jazz trumpeter Lee Morgan, told by those musicians who played alongside him, as well as - amazingly - by his own murderess.
One of the hottest topics on the national stage at the moment is the future of our country’s healthcare system. As I write this, there's probably no more timely discussion than that of accessible, affordable access to healthcare for all Americans.
It’s no mystery that the criminal justice and healthcare systems in the U.S. have yet to catch up with scientific research, most especially that of mental health. Point of View Pictures’ When the Bough Breaks (not to be confused with last year’s When the Bough Breaks by Sony Pictures or the 2006, 1994 or 1947 films of the same name) centers around the taboo topic of psychosis after giving birth, as well as postpartum depression and the more general “baby blues” that many women, across all walks of life, cultures, geography and age, experience.
Walt Disney Animation Studios’ DVD/Blu-ray digital combo for its latest princess pic, Moana, is absolutely packed with special features. A suitable follow-up to its big-screen release, the take-home version of Moana provides tons of footage from the years leading up to the film, when the filmmakers were visiting Oceania to research the characters, locations and music that would inspire the film.
It's always difficult to critique a film based on a beloved book. One has to judge the film on its own merits, no matter how true it hopes to stay to its original written form or despite whatever clever methods the filmmakers could concoct. For The Sense of an Ending, the screen adaptation of British author Julian Barnes’ 2011 novel, I’m afraid that the film fails to capture the same essence as the novel. Nevertheless, on its own, the picture is a great character study, and some might find it to be an important statement on youth and regret.
What if you lived the same day over and over again? What would you do? If it were me, I might try to visit to every single city in the world that I could reasonably travel to in one day. I would try and meet interesting people, try every type of food dish, read every book. I would attempt to learn different languages, dance styles or musical instruments. Sure, I would have to lie, beg, borrow and steal, but in short, it wouldn’t be the same day for me; I would only wake up in the same place.
Opening on a delightful confrontation between a fickle lawman and the film’s three main characters – all women of color – in Virginia’s Jim Crow era, the historical dramedy Hidden Figures comes out of the gate with a bang and offers an unapologetic glimpse at the tone of the story that will follow.
I love heist movies. I couldn’t care less about the big prizes, but there’s something exhilarating about seeing the layers of an onion peeled back, something thrilling about watching a mastermind play all the chess pieces that were there in front of you the whole time, something gratifying about witnessing a ragtag team surmount seemingly impossible odds.
May none of us ever know the pain and hopelessness that comes from becoming forever separated from our family. Losing a child, or becoming a lost child, seems to be one of the most unimaginably horrible things that could happen – but happen it did to Saroo Brierley and to his family.
Unless your heart is made of stone or you simply hate music, it’s more likely than not that you will leave the theater humming at least one of the unbelievably catchy tunes from Disney’s Moana, courtesy of Grammy-winning composer Mark Mancina, Somoan artist Opetaia Foa’i and the great Lin-Manuel Miranda, of Hamilton fame.
I went into A Family Affair cold, not knowing what to expect other than what was in the trailer. This movie, as it turns out, is essentially a portrait of a 95-year-old woman told by her 30-year-old grandson. But what differentiates this from any old home video is most certainly the filmmaker Tom Fassaert’s cinematography and at least one major secret that his grandmother is hiding.