This is a film that subverts your expectations of the romantic drama. In its opening monologue, you think this is going to be a story of a once-passionate and loving relationship that went up in flames. What you’re greeted with is the semi-tumultuous pairing of two very unlikely companions.
Unfriended: Dark Web takes the style of the first film and refines the narrative, delivering a far more compelling and suspenseful story that surpasses that of the original, but it retains some of the more annoying tropes introduced in it as well.
What is so interesting about Dukun's tackling of witchcraft as a horror subject is that the tension does not come from whether or not it is real, but from what the sadistic soul who practices it will do with her unregistered power.
Boots Riley makes a striking directorial debut with his biting, satirical comedy Sorry to Bother You, an absurdist comic gem that starts off playfully odd before pushing you off a cliff with its off-the-wall weirdness.
Attempting to highlight the idea that rumors have real-world consequences for the unlucky ones they concern, The Hungry Lion is a meditation on the effects of schoolyard buzz on one of its victims in a monopolizing, objective manner, which dryly makes its opinions heard through blank, repetitive sermonizing about the ills of the young people.
In possibly the most dreary film seen in decades, Yue Dong’s The Looming Storm presents an intriguing Chinese noir, set in a town sandwiched between four factories where a man’s obsession brings him to ruin. Bathed in melancholy, Dong crafts a fascinating mystery buttressed by a magnificent performance by Yihong Duan.
Officially formed in 1973 and still doing shows to this day with its original members, The Wynners isn’t a very widely known band outside the members’ native Hong Kong, but there, they will go down in history as one of the most famous and prolific Cantopop groups ever.